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A Demon that Slips Between Genres 

Published

by Erica Balfour

Dread, whether by chance or by arcane design, is a poorly understood creature. Naturally, when we hear its name, we think of horror stories. Their winding, shadow-strewn paths are Dread’s natural habitat. Right? 

Yes. But not entirely. 

Dread can lurk in any genre. It’s just as comfortable stalking through women’s fiction as it is in horror. It can make its home in mystery, adventure, and fantasy. Even romance. 

This is powerful news for authors – summoning Dread into your story allows you to harness its insidious powers to gain access to a delicious set of emotional hooks that will keep your reader up late into the night. 

All you need is a clear mental image of the Dread you’re conjuring, the right ritualistic ingredients – anticipation and inevitability – and the correct incantation.

The Demon that Lives in Tomorrow

The first thing to know about Dread is that it’s impossible to look it in the eye. 

That’s because Dread only exists in the future, never the present. 

Dread is predicated on anticipation – on unpleasant, uncomfortable, painful, horrifying, deadly things happening once a particular event occurs. 

That event can be relatively innocuous, like receiving a bad grade on an important test. It can be relationship-focused, such as breaking up with a loved one. It can have a local effect (a medical diagnosis rocking a family) or a global effect (an imminent alien invasion). 

In each of these cases, Dread lurks in the uneasy gap between the now and the not-yet. 

Once the dreaded event arrives – once the test papers are handed out, the argument happens, the doctor says, “cancer,” or the aliens destroy NYC – Dread ceases to exist. It metamorphoses into something else. Fear. Panic. Grief. Rage. Catharsis. 

Each of these emotions will serve your story, but they are not Dread – Dread disappears the moment the future becomes the present. 

That being said, there are two types of Dread you can summon: Known Dread and Unknown Dread. Both have their places in any genre. Both are powerful, but they create different flavors of discomfort in your readers.

The Demon You Know

Known Dread is powered by familiarity. Conjuring it builds meaningful stakes for your reader.

Known Dread appears when your character knows exactly what’s waiting for them. They’ve fought a dragon before. They’ve argued with their boss. 

They already know the answer to the question, “What’s the worst that could happen?” 

They know this conversation will destroy their relationship with their best friend. They know the grade on their paper will kill any chances they have of getting into their dream school. They know exactly what the monster will do to them because they’ve seen the grisly remains of the beast’s last victim. 

This knowledge sits heavy on their chests, hindering their every move. It threads anticipation into your story, and your reader holds their breath along with your characters. 

The key to Known Dread is clearly articulating the outcome and consequences of the dreaded event. 

This builds stakes. This increases tension. This is Dread. 

The Demon You’ve Never Seen

Unknown Dread is powered by uncertainty. Conjuring it builds unease in your reader – that squirmy sense that something is wrong. This happens when your character doesn’t know what’s around the corner – or maybe they do, but the reader doesn’t. 

Why does the doctor’s face look so pinched, so serious? Why did the auditorium erupt into laughter when your character walked inside? Why hasn’t your character’s mother answered their last three texts? 

As your character wrestles with these questions, so will your reader. Unknown Dread will sink its claws deep into their minds.

Unknown Dread can also be conjured more subtly, by leaning into tropes your reader is aware of but your character isn’t: 

“His shadow multiplied beneath his feet, sending out writhing limbs in every direction. Limbs that bent the wrong way. Mark rubbed his eyes and looked again. Must’ve been a trick of the light.” 

This is Unknown Dread in action: the reader senses danger even when the character doesn’t. 

Unknown Dread thrives in mystery and shadows. Let it loose in the dark. 

But simply knowing the type of Dread you wish to invoke isn’t enough. You need the final ingredient: 

The Demon You Can’t Escape

Humans fear what they can’t control. Dread is predicated on your character’s inability to affect what will happen. On inevitability. If your character can walk away without facing the murderous psychopath, then the killer is nothing to dread. 

If your character can quit school and spend the rest of their life sailing the Mediterranean, the test results are nothing to dread. 

If your character can avoid the uncomfortable conversation entirely, the fight is nothing to dread. If escape is possible, the emotion in your reader becomes anxiety, worry, or stress. Not Dread.

Dread only appears when the character cannot avoid the thing they fear. It must be inevitable. Inescapable. As sure as the setting sun.

Trapping your character in a situation they can’t escape is the little-known secret to summoning Dread.

The Demon You Must Not Name

Invoking Dread is tricky business. Get it right, and your story will scratch and claw its way into your reader’s mind. Get it wrong, and you could summon the Melodrama Demon instead. 

When you conjure Dread, approach it sideways. Don’t look it in the eye. Let your reader feel the Dread for themselves.

Describe the setting: 

“The trees leaned in closer at her smile. Hers was the beauty of the unforgiving depths of the Arctic, inescapable once you entered their frigid domain.”

Describe your character’s physical reactions: 

“His legs reluctantly carried him along through air grown suddenly viscous.”

Describe everything and anything except the Dread itself. 

“Her touch was ice, worming through his hoodie. His breath frosted in the air.” 

Whatever you do, don’t name your Dread. Let it remain shadowed, indistinct. That’s when its claws are sharpest in your reader’s mind.

Summoning the Dread Demon

It’s easy to overlook Dread as a tool that can be used outside of horror. That’s because Dread, while powerful, is also reclusive. It likes to be misunderstood. 

But you can summon Dread to any story you’re writing and harness its dark powers for your own purposes. All you have to do is gather the right ingredients (anticipation, inevitability), avoid looking it in the eye, and, most importantly, avoid naming it.

Now, go write something Dreadful.


Erica Balfour writes fantasy and science fiction with warmth, humor, and sharp edges. A multi-
time Writers of the Future Silver Honorable Mention award recipient, she infuses every story
she tells with magic, monsters, heart, and wit. Explore her worlds at www.ericabalfour.com.

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